Philadelphia Museum of Art Custom Prints



View Cart
Shop Main Online Store

About the Artwork

Henri de Toulouse-Lautrec was among the first customers of the Moulin Rouge, a Montmartre nightclub boasting nightly performances of the cancan (or chahut, a French dance involving a series of titillating high kicks). Lautrec began this canvas—one of the largest and most ambitious of his career—shortly after the venue opened in October 1889. A handwritten inscription on its back, probably by Lautrec, identifies the subject as "the training of the new girls by Valentin ‘the Boneless.’" A nightclub star renowned for his flexibility, Valentin is depicted as a slender hatted figure with pointed toes and rubbery legs facing a female partner whose animated kicks reveal her red stockings and frothy white petticoats. Highlighting an informal moment between performances, the painting offers a survey of the club’s clientele and its scintillating entertainment. It was purchased by the owners of the Moulin Rouge, who hung it above the bar.

About the Artist

Henri de Toulouse-Lautrec (French, 1864–1901) was born in 1864 to wealthy, aristocratic parents in Albi, an ancient city in southwestern France. When he was ten years old he began to suffer from a rare disease that stunted his growth. His condition was made worse by two falls in which his fragile leg bones were broken. While recuperating, young Henri entertained himself by doing watercolors and drawings of animals and his family.

After high school, Lautrec’s mother took him to Paris to study with some of the best-known painters in France. He became skilled at drawing and experimented with the techniques of Impressionism, but ultimately developed his own very personal style.

Lautrec lived and worked in Montmartre, which was then a country village on a hill near Paris but is now a neighborhood within the city. He adored dance halls and cabarets where workers, artists, and wealthy aristocrats mingled. Lautrec drew and painted this world just as he saw it from the table reserved for him nightly at the Moulin Rouge, saying, “I have tried to draw something real, not ideal.” Other entertainments also attracted Lautrec and became subjects for his art: bicycle races, skating rinks, the circus, masked balls, and the theater.

Unfortunately, Lautrec became addicted to alcohol and in 1899 suffered a mental breakdown. He recovered briefly, but then started drinking again and in 1901, at the age of thirty-six, he suffered a stroke and died.

Throughout his brief life, Lautrec was attracted to energy and individuality. He focused intensely on making pictures of dancers and singers, capturing their unique personalities by gently exaggerating their features. Like many Impressionist artists and his friend Vincent van Gogh, Lautrec was influenced by Japanese woodblock prints—their simplified shapes, decorative lines, and use of cropping. His influence on advertising and book illustration remains strong today.

Source: Philadelphia Museum of Art

Popular Images

About Our Prints

Philadelphia Museum of Art Custom Prints offers exclusive custom reproductions of artworks in the collections of the Philadelphia Museum of Art. Hand-made in the USA using gallery-quality materials, we create prints as true to the original work as possible, using strict color management protocols and state-of-the-art printing technology.
Many of the works offered through this store are exclusive and not available anywhere else. In addition, new works are continually added to the offering so make sure to come back and see the new releases.
You have found the work that speaks to you. Now what? Using our innovative custom framing tool you can preview exactly what your finished and framed art will look like. We offer many different moulding styles so there is sure to be a match for any type of decor.

Member Discounts

As always, members will receive their discount for all transactions processed through our Custom Prints store. Simply enter your Member ID during the checkout process and your discount will be applied.