Influenced by the Pointillist work of Georges Seurat, Pissarro originally painted this landscape entirely in small dots of color and dated it [18]87 in the lower right corner. The work remained in Pissarro's studio where, several years later, the upper left of the canvas was torn. The artist repaired the work and added a second date of 1902. Because Pissarro had by then abandoned the Pointillist style, the repainted area of the painting—the sky—exhibits the looser, more Impressionistic style of his later years.
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